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The majority of “The Boy Behind the Door” finds Bobby sneaking inside and—literally, quite frequently—hiding behind a person door or another as he skulks about, trying to find his friend while outwitting his captors. As day turns to night and the creaky house grows darker, the directors and cinematographer Julian Estrada use dramatic streaks of light to illuminate ominous hallways and cramped quarters. They also use silence effectively, prompting us to hold our breath just like the kids to avoid being found.
Underneath the cultural kitsch of everything — the screaming teenage fans, the “king with the world” egomania, the instantly universal language of “I want you to attract me like amongst your French girls” — “Titanic” is as personal and cohesive as any film a fraction of its size. That intimacy starts with Cameron’s personal obsession with the Ship of Dreams (which he naturally cast to play itself inside a movie that ebbs between fiction and reality with the same bittersweet confidence that it flows between previous and present), and continues with every facet of the script that revitalizes its essential story of star-crossed lovers into something iconic.
Even more acutely than either with the films Kieślowski would make next, “Blue” illustrates why none of us is ever truly alone (for better even worse), and then mines a powerful solace from the cosmic secret of how we might all mesh together.
Other fissures arise along the family’s fault lines from there because the legends and superstitions of their previous once again become as viscerally powerful and alive as their tricky love for each other. —RD
This drama explores the inner and outer lives of various LGBTQ characters dealing with repression, despair and hopelessness across generations.
Gauzy pastel hues, flowery designs and lots of gossamer blond hair — these are a few of the images that linger after you arise from the trance cast by “The Virgin Suicides,” Sofia Coppola’s snapshot of 5 sisters in parochial suburbia.
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A profoundly soulful plea for peace from the guise of simple family fare, “The Iron Giant” continues to free porn sites stand tall as among the best and most philosophically complex American animated films ever made. Despite, or perhaps because on the movie’s power, its release was bungled from the start. Warner Bros.
Nearly thirty years later, “Strange Days” is often a complicated watch as a result of onscreen brutality against Black folks and women, and because through today’s cynical eyes we know such footage rarely enacts the modify desired. Even so, Bigelow’s alluring and visually arresting film continues to enrapture because it so perfectly captures the misplaced hope of its time. —RD
The film ends with a haunting repetition of names, all former lovers and friends bj pov babe deepthroats and rims bf of Jarman’s who died of AIDS. This haunting elegy is meditation on sickness, silence, as well as the void could be the closest film has ever come to representing death. —JD
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More than just a breakneck look inside the porn field as it struggled for getting over the hump of home video, “Boogie Nights” is usually a story about a magical valley of misfit toys — action figures, for being specific. All of these horny weirdos have been cast out from their families, all of them are looking for surrogate relatives, and all of them have followed the American Dream into the same ridiculous place.
“Saving Private Ryan” (dir. Steven Spielberg, 1998) With its bookending shots of the Solar-kissed American flag billowing in the breeze, you wouldn’t be wrong to call “Saving Private Ryan” a propaganda film. (It's possible that’s why just one particular master of controlling nationwide narratives, Xi Jinping, has said it’s among his favorite movies.) What sets it apart from other propaganda is that it’s not really wowuncut about establishing the enemy — the first half of this unofficial diptych, “Schindler’s List,” certainly did that — but establishing what America is usually. Steven Spielberg and screenwriter Robert Rodat crafted a loving, if somewhat naïve, tribute to The theory that the U.
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